Sunday, November 18, 2012

The Vizier's Other Daughter


It was the same thing every night for the past 200 nights: Shahrazad goes and sees the sultan, does her things then calls for me. I have memorized that script she gave me to say. Repeating it over in my mind:

“Sister, if you are not sleepy, tell us one of your lovely little tales to while away the nights, before I bid you good-bye at day-break, for I don’t know what will happen to you tomorrow.”  Or  “Please, sister, if you are not sleepy, tell us one of your little tales.”

Shahrazad would then turn to Shahrayar and ask for permission to finish a story. He of course would say yes because she would leave off the night before at an important moment.  

I would then say, “What an entertaining story!”, or something similar to this. And she would reply always with, “ Tomorrow night I shall tell you something even stranger, more wonderful, and more entertaining if the king spares me and lets me live.”

Sultan Shahravar always wound up letting her live so that he could hear the end of the story that she was telling. What the Sultan did not know was that I, Dinarzad, was the one coming up with these stories that my sister was telling.
Both Shahrazad and I had come up with this plan of teaching the Sultan a lesson and convincing him to stop killing women. I, however, could not tell these stories for one reason: I had been scared when I was younger by my mother in hopes that by ruining my beauty and perfection the sultan would never choose me to marry. She had tried to with my sister, but my father had forbade her to do so and kept a watchful eye over her, never did he think that she would have harmed me.

Every afternoon after Shahrazad took a nap to recover from the long night I told her more of the story to tell the Sultan. I would go out into the market and see an old storyteller we had known since I was a small child. This man had told me hundreds of stories, all which had taught me a lesson that I needed to learn at that time. It had given me the idea to tell these to the Sultan to help him learn. I would tell him where we had left off in the story and how and what the Sultan’s reactions had been. The storyteller would then spin a tale from the old story based on the Sultan’s reactions to make sure the lesson was taught that needed to be taught. This is how it went for the past 200 nights.

That is, until this afternoon.

I had seen that Shahrazad had gotten off to bed safely and sneaked off into the market place to find the old storyteller. When I returned home, I went to wake her but she did not move. Her body was as cold as the fresh water from the well. She had died. I did not know what to do.  The only thing I could think of was to hope that the Sultan would consider marrying me if he thought that I knew the end of the last tale that my sister had finished.

After my father, the Sultan’s viziers, explained that my sister had somehow suddenly died and that he knew that his majesty had wanted to hear the end of the story, he suggested that I should be the one to tell the story because I knew the end. The Sultan permitted this to happen and I wound up in his bed telling him the story. However at the end of the night something was different than it had been all those nights I had been in there with my sister. The sultan was not looking like he wanted to hear more he instead had an emotionless face. It was one of the scariest faces I had ever seen before. There was a quick movement of his eyes and suddenly I felt the cold smooth beaded rope around my neck tightening. 

5 comments:

  1. I liked how you used the other sister as more of an active character in the original story. I also used 1001 Nights in my story, although mine was the traditional older sister as the story teller. It was interesting to see how the other sister would handle the storytelling and how quickly the frame of the story changed after the sister's death, very creative.

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  2. I like how you explore the source of the stories. Having a couple different people working together to keep the stories going and keep Dinarzad alive gives the story a great new dimension. It shows that their lives are more than just the storytelling, but that they have to scramble everyday to keep it going and stay alive. I also like how there could be a hint at the end to the feelings he had developed for Dinarzad. He wasn't just interested in the end of the story, but the girl herself.

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  3. I like the emotional aspect of Dinarzad within this fan fiction, it opened another dimension to the story and the personal aspects of each character. Dinarzard had just become more humane again before tragedy struck again. The responsbility left to the sister held a more realistic fragment of how this would go about in the death of Dinarzard's wife. Enjoyed it alot.

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  4. I really liked this story. I liked how you made your story from Dinarzad's point of view! I also liked how you got into detail about Dinarzad actually giving her sister stories to tell just to try to save her life. Very creative.

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  5. Great twist, Kiersten. Some nice comments from readers, as well! I must confess, I'm a little confused about the paragraph where you talk about Dinarzad's fear, and my confusion may simply come from the fact you say she is "scared" when you mean "scarred". Look at that paragraph again! A very witty approach to the story telling aspect of 1001 Nights.

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